Sumon, is compelled to grow up in the city's underworld as mafia lord Osman Ali's killer machine. After killing a pregnant woman, who is Osman Ali's girlfriend, carrying his illegitimate .
Director:
Redoan RonyStoryline
Sumon, is compelled to grow up in the city's underworld as mafia lord Osman Ali's killer machine. After killing a pregnant woman, who is Osman Ali's girlfriend, carrying his illegitimate child, Sumon's conscience leads him to defy Ali's order.
Movie User Reviews
OK, let me make one thing clear first. Chorabali isn't any masterpiece. Yet, people are praising it because of one reason. The director, Redoan Roni made a fully mainstream commercial cinema at a time when the industry seems to be dying. When his own peers (i.e. Mustafa Kamal Raaz etc) and even his mentor (Sarwar Farooki) are making extended TV dramas (or are they Telefilms?) and releasing them in 1 or 2 cinema halls and premiering them on TV on the first day itself. They need to stop kidding themselves and the audience. Those long dramas are not feature films and are clearly made for the TV screen. In such circumstances, Roni broke the barrier and made a true mainstream Bangla cinema. It's not an art film which caters to only the high class people. It has action, romance, drama and even an item song (although poorly executed).
So, the story revolves around a killer who serves a corrupt politician. The story is highly relevant to Bangladeshi society. However, there are some major plot holes here and there. The director lefts some important questions unanswered. Thus, the story ultimately falls short. However, the director's sincerity makes up for it. You will never guess that it is Roni's first film. He shows complete control of his content. The scenes are executed professionally, specially the camera angles are highly effective. The cinematography is world class. The director of photography was in terrific form and no Bangladeshi cinema had this good visuals before this. The background score is good. however the music was wasted because only short versions were played in the background. And the only song which was fully picturised was the item song which was not visually pleasant.
Indraneel was good as the main protagonist. He is an established actor and that shows in the confidence with which he carried out his role. His toned physique and melancholy personality added to the role. Joya Ahsan wasn't given a meaty role. So she is relegated to just emanating beauty on the screen and she does that with panache. But, the show stealer was Shahidujjaman Selim. He was a complete package. He was perfect as the heinous villain. Every scene was done with conviction and a touch of humanity. Hats off to this man as he is the one who makes you forget about the weak plot and just enjoy the dialogues instead.
Overall, it is an OK film. Not more, not less. As Roni's first film we can certainly be generous and forgive him for the plot. But next time we wish Roni doesn't write the story himself and instead finds a good scriptwriter. Also, having all the actors from Bangladesh would also help strike a chord with the Bangladeshi audience. I wanted to give it a 6 but I gave one point extra considering it was Roni's first film and because of Shadiujjaman Selim's performance. It is a highly watchable film and every Bengali should watch it at least once and encourage young directors like Roni to make better cinema.
This film is light-years ahead of the other mainstream movies being made in Bangladesh, but still has a long way to go before it becomes world class. But this just might be the kick the industry needed to go bring back the golden age of cinema back from the grave!
So, the story revolves around a killer who serves a corrupt politician. The story is highly relevant to Bangladeshi society. However, there are some major plot holes here and there. The director lefts some important questions unanswered. Thus, the story ultimately falls short. However, the director's sincerity makes up for it. You will never guess that it is Roni's first film. He shows complete control of his content. The scenes are executed professionally, specially the camera angles are highly effective. The cinematography is world class. The director of photography was in terrific form and no Bangladeshi cinema had this good visuals before this. The background score is good. however the music was wasted because only short versions were played in the background. And the only song which was fully picturised was the item song which was not visually pleasant.
Indraneel was good as the main protagonist. He is an established actor and that shows in the confidence with which he carried out his role. His toned physique and melancholy personality added to the role. Joya Ahsan wasn't given a meaty role. So she is relegated to just emanating beauty on the screen and she does that with panache. But, the show stealer was Shahidujjaman Selim. He was a complete package. He was perfect as the heinous villain. Every scene was done with conviction and a touch of humanity. Hats off to this man as he is the one who makes you forget about the weak plot and just enjoy the dialogues instead.
Overall, it is an OK film. Not more, not less. As Roni's first film we can certainly be generous and forgive him for the plot. But next time we wish Roni doesn't write the story himself and instead finds a good scriptwriter. Also, having all the actors from Bangladesh would also help strike a chord with the Bangladeshi audience. I wanted to give it a 6 but I gave one point extra considering it was Roni's first film and because of Shadiujjaman Selim's performance. It is a highly watchable film and every Bengali should watch it at least once and encourage young directors like Roni to make better cinema.
This film is light-years ahead of the other mainstream movies being made in Bangladesh, but still has a long way to go before it becomes world class. But this just might be the kick the industry needed to go bring back the golden age of cinema back from the grave!
0 comments:
Post a Comment